Designer is keeping up with the Kardashians, indeed
 When Season 6 of "Keeping Up With the Kardashians" premieres on Sunday, Andrews' work will be featured in almost every scene set on the ground floor of the redecorated Jenner house in Calabasas. (Bret Hartman / For The Times) |
To prepare for that first meeting two years ago, Andrews turned on E! and, by the grace of the reality-TV gods, found a repeat episode recounting Khloé's wedding to Lakers forward Lamar Odom. Homework completed, Andrews landed the job as interior designer for the youngest Kardashian sister. And then for sister Kourtney. And then perhaps most significantly, for Kris Jenner, the matriarch-manager of the Kardashian empire, which, Twitter-follow it or not, remains an undeniable phenomenon.
The decor may be over the top, high on drama and screaming for a close-up, but Andrews is not. The designer, 47, turns out to be a soft-spoken, borderline shy guy who left a career as a choreographer 11 years ago to begin quietly building a business with mostly on non-Hollywood types. Though he did count "Dexter" star Michael C. Hall as a former client and said that he worked for America Ferrera of "Ugly Betty" fame for "like, a minute," he has established his base not in Beverly Hills or Bel-Air but in Mount Washington, commuting to the Calabasas area four or five times a week (occasionally weekends too) to juggle projects at the three Kardashian homes.
Perhaps most tellingly, though his clients are people for whom life seems not worth living unless it's lived on camera, Andrews has yet to appear on the show. "It's OK," he said. "I don't need to be the star coming in and waving my arms around."
It's ironic given that Andrews' tale would make for a decent Hollywood story. Five years ago, his best friend was working as Ryan Seacrest's wardrobe stylist at E! The "American Idol" host was looking for an interior designer. Through the friend, Andrews got a meeting — and eventually the job decorating Seacrest's house in the Hollywood Hills.
Seacrest, as luck would have it, also was a co-producer of the Kardashians' show. Because the Kardashian sisters, Kris Jenner and husband Bruce Jenner are frequent guests, they inquired about Seacrest's designer, one thing led to another, and ....
Now Andrews finds himself fielding design challenges major and minor from Kris Jenner, on this weekday morning dressed in head-to-toe black with a gold-studded jacket.
"Today someone asked me if I wanted a plug on a particular side of the barbecue," she said. " I don't know. I'm the kind of person who really needs someone on site. That attracted me to Jeff. I don't want someone to order furniture and never be here."
Andrews said Jenner's tough deadlines and rapid-fire requests come with a diva-free attitude. "She'll always show up with a box of Krispy Kremes and always has a very high level of respect for what we do," he said, referring not only to himself but also to his three full-time employees.
Decorator and client make for a high-functioning odd couple. Jenner speaks passionately in sweeping declaratives and leans toward highly dramatic design. Andrews is the stealth sidekick, quietly adding charcoal accents to keep his clients' penchant for black and white from looking extreme.
"Jeff is low drama, more of an observer," said Samantha Nestor, formerly an editor at Metropolitan Home magazine and now a partner in a design and arts marketing firm that hired Andrews to decorate a New York show house for Showtime. "It's part of what makes him so likable. There's nothing aggressive about him except his design."
Because Andrews worked as a choreographer with names such as Madonna, "it's not like he gets star-struck in the world of design," Nestor said. "He sees celebrities as people. There's no false sense of who they are."
Raj Kapoor recalls meeting Andrews at an audition at which hundreds of dancers were auditioning for the then-choreographer. There always has been a "cool factor" about how Andrews lived, said Kapoor, who owns a creative agency and production company that will be directing the "American Idol" summer concert tour.
"I've known him for about 20 years now, and I feel like almost nothing fazes him," he said.
Cool-headed amid the crazy busyness
Andrews, who has no formal training in design, does indeed work off his natural eye, work ethic and ability to be unfazed. For further proof of that last point, ask him about the timeline for Phase 1 of the Jenner job, which couldn't start until Season 5 filming had ended in June but had to wrap before the family geared up for Halloween.
"They're big on the holidays, so it was important to have it mostly completed by the end of October. That left me with four months to pretty much do everything," he said. "I've never worked like that before. It was crazy. Some days we'd have as many as 20 people working here."
He streamlined the approval process for fabrics, materials, colors. And he made sure to have backups on hand — for everything.
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